sexta-feira, dezembro 09, 2005

JOHN CASSAVETS (1929-1989)

We could improvise the rehearsal and come out great. We all have the instinct that if we got in front of the camera that that kind of delicate improvisation without any theatricality would lose some of its ease. All of a sudden there would be cameras, cables, guys around, people saying; 'We can't move this thing over there,' and suddenly the actors would receive very little importance. And you start to fight to preserve what you have and you start pushing, and all of a sudden, it's gone. What had been terribly concentrated in rehearsals would dissipate. So I found that by writing scenes that we might never use, and writing them again and again and again, that everything that we had written and improvised was, therefore, in our minds, used and usable. We had investigated, then studied it. We knew what we were capable of saying to each other and doing with each other, so we got to the point where we could just give any kind of improvisations.